Sunday, July 19, 2015

“A journey of a thousand miles begins with the first step,

Lao Tzu, traditionally the author of the Tao T...

Lao Tzu, traditionally the author of the Tao Te Ching (Photo credit: Wikipedia)

“A journey of a thousand miles begins with the first step,”
wrote the Chinese philosopher Lao Tzu, as sage advice to
fellow travelers on the Taoist path. The renowned mythologist Joseph Campbell often referred to the first stage of
“the Hero’s Journey” as “the call to adventure,” a step that
all of us must take, many times in the course of our lives.
The cautious first step into the unknown, however, is
typically accompanied by fear—so much so, that it can
immobilize us, make us want to refuse the call, rather than
answer it. This part highlights our departure from the
known into the unknown, from the familiar to the unbalanced brave new world we now find ourselves in, and the
common dangers of getting stuck or lost on the way.


Filed under: Uncategorized

from WordPress http://ift.tt/1IcROp9
via IFTTT

Saturday, July 18, 2015

Notes From Yuggoth (based on the New Horizons Voyage)

Vincent Piazza:

Stumbled upon this guys Blog and plan on reading all of it,thought you folks might enjoy it as much as I have so far…

Originally posted on Lovecraftian Science:

Latnh-7-10-15_pluto_image_nasa-jhuapl-swri_0

Latest image of Pluto, 9th of July 2015

Over the next few weeks I will be dropping little bit of information about Pluto (although we all know its true name is Yuggoth).

“Among the structures tentatively identified in this new image are what appear to be polygonal features; a complex band of terrain stretching east-northeast across the planet, approximately 1,000 miles long …” said New Horizons principal investigator Alan Stern. “After nine and a half years in flight, Pluto is well worth the wait.”

This is the latest from NASA, a photo taken by New Horizons on July 9, 2015 approximately from 3.3 million miles (5.4 million kilometers) away from the dwarf planet, with a resolution of 17 miles (27 kilometers) per pixel.

In “Out of the Aeons” by H.P. Lovecraft and Hazel Heald, there was an ancient land or province on Earth called K’naa where the first people…

View original 80 more words


Filed under: Uncategorized

from WordPress http://ift.tt/1fdTcKP
via IFTTT

Friday, July 17, 2015

H.P. LOVECRAFT DREAMS THE NECRONOMICON, AND THE BOOK DREAMS OF YOU

Ustino-necronomicon-2 The Necronomicon is the most infamous book of magick (whether real or fictional)ever to crawl into the mind of man. first mentioned in Lovecraft’s 1924 short story “The Hound”, written in 1922, though its purported author, the “Mad Arab” Abdul Alhazred, was spoken of by HPL a year before in “The Nameless City”..It makes an Appearance in “At the Mountains of Madness” and “The Case of Charles Dexter Ward”.But,the greatest amount of information about the Necronomicon appeared in “The Dunwich Horror” (Summer 1928). The following passage is especially powerful:

Nor is it to be thought…that man is either the oldest or the last of earth’s masters, or that the common bulk of life and substances walks alone. The Old Ones were, the Old Ones are, and the Old Ones shall be. Not in the spaces we know, but between them, They walk serene and primal, undimensioned and to us unseen. Yog-Sothoth knows the gate. Yog-Sothoth is the gate. Yog-Sothoth is the key and guardian of the gate. Past, present, future, all are one in Yog-Sothoth. He knows where the Old Ones broke through of old, and where They shall break through again. He knows where They have trod earth’s fields, and where They still tread them, and why no one can behold Them as They tread. By Their smell can men sometimes know them near, but of Their semblance can no man know, saving only in the features of those They have begotten on mankind; and of those are there many sorts, differing in likeness from man’s truest eidolon to that shape without sight or substance which is Them. They walk unseen and foul in lonely places where the Words have been spoken and the Rites howled through at their Seasons. The wind gibbers with Their voices, and the earth mutters with Their consciousness. They bend the forest and crush the city, yet may not forest or city behold the hand that smites. Kadath in the cold waste hath known Them, and what man knows Kadath? The ice desert of the South and the sunken isles of Ocean hold stones where Their seal is engraven, but who hath seen the deep frozen city or the sealed tower long garlanded with seaweed and barnacles? Great Cthulhu is Their cousin, yet can he spy Them only dimly. Iä! Shub-Niggurath! As a foulness shall ye know Them. Their hand is at your throats, yet ye see Them not; and Their habitation is even one with your guarded threshold. Yog-Sothoth is the key to the gate, whereby the spheres meet. Man rules now where They ruled once; They shall soon rule where man rules now. After summer is winter, and after winter summer. They wait patient and potent, for here shall They reign again. (“The Dunwich Horror,” 170)

Let me start this line of research by Quoting HPL from _The History and Chronology of the Necronomicon_.
“Original title Al Azif-Azif being the word used by the Arabs to designate that nocturnal sound (made by insects) supposed to be the howling of demons”.”Composed by Abdul Alhazred, a mad poet of Sanaa, in Yemen, who is said to have flourished in the time of the Ommiade Caliphs, circa A.D. 700. He visited the ruins of Babylon and the subterranean secrets of Memphis and spent ten years alone in the great southern desert of Arabia-the Roba el Khaliye or ‘Empty Space’ of the ancients and ‘Dahna’ or ‘Crimson Desert’ of the modern Arabs, which is held to be inhabited by
protective evil spirits and monsters of death. Of this desert many strange and unbelievable marvels are told by those who pretend to have penetrated it. In his last years Alhazred dwelt in Damascus, where the Necronomicon (Al Azif) was written… Of his madness many things are told. He claimed to have seen the fabulous Irem or city of Pillars, and to have found beneath the ruins of a certain nameless desert town the shocking annals and secrets of a race older than mankind”.

Later it is said the Al Azif was translated into Greek under the Greek title Necronomicon (the title is definitely not in Latin as is often claimed). This title is translated as “the Book (or image) of the Practices of the Dead”; Necro being Greek for “Dead” and Nomos meaning “practices”, “customs” or “rules” (as in astronomy). The title Necronomicon absolutely does not translate as Book of Dead Names (as Colin Wilson has mistakenly and
repeatedly stated). In order for it to mean Dead Names it would have to be Latin/Greek hybrid (besides HPL flatly indicated the first translation is the correct one). Still later (possibly in the 1200’s) it was translated into Latin but retained it’s Greek title. The Latin text came into the possession of Dr. John Dee in the sixteenth century. Dr. Dee made the only English translation of the Necronomicon known.(True,False,who cares! It makes the book all the more enticing to the Lovecraftian Scholar)

And so that is the Mythos about this Tome of Horror and Wonder,and what HPL writes about the Necronomicon is filled with actual Arab myths and magickal techniques,Lovecraft was quite the bibliophile who Loved Arab mythology when he was a Lad.According to the theories of Ryan Parker, Lovecraft Almost certainly had an unprinted, probably rare, book (or some other form of manuscript), on Arab myths or magick. This is the most economical explanation as to how VERY OBSCURE information on Arab magick could appear in his stories. I quite agree with this idea,the rare information, The Elder God names and use of Ghouls (or Ghuls in Arab myth) in his writing all point to HPL having info unknown to his contemporaries.

love

Alhazred visited the lost city “Irem of the Pillars” and encountered many strange magicks in that empty place. HPL said that Irem was in the middle of the Rub al Khali.This is just the tip of the sanddune when it comes to similarities between fact and HPL’s “Fiction”. “Irem Zhat al Imad” (Irem of the Pillars) is the cities name in Arabic. The Arab stories say that Irem was built by the Jinn under the direction of Shaddad, Lord of the tribe of Ad. This is very similar in description to the Hebrew “Nephilim”. The Muqarribun (a name for Arab magicians) , whose traditions predate Islam, believe that Irem is a locale on another level of reality, rather than a physical city like New Orleans. The “Pillars” in “Irem of the Pillars” has a hidden meaning. Among Arab mystics pillar is a code for “elder” or “old one.” Thus “Irem of the Pillars” is really “Irem of the Old Ones.”
So we can see that Irem is located in the Rub al Khali just as our buddy HPL said it was. To the Muqarribun the Rub al Khali also has a “hidden” meaning. Rub al Khali translates as “the EMPTY Quarter.” In this case Empty refers to the void and is a close analog of the Abyss in the Tree of Life/Tree of Death system of the Qabalah/Qlippoth .Rub al Khali is the “secret” door to the Void much like DAATH in the Qabalah. To the Muqarribun, this is the Gateway to the “city of the Old Ones.”HPL made many references to a gate connected with the “Old Ones.” He also wrote
that the Old Ones were from Outside and linked them with the “infinite void.” By making these claims about the “Old Ones” and connecting them to Irem and the Rub al Khali Lovecraft tapped into the very core of ancient Arab magick. HPL must have done some serious research into Arab magickal and mystical traditions to have found such obscure info.there are many other examples in which Lovecraft borrowed from Arab and Near Eastern mythology.The Deep Ones and Dagon,who is an actual Philistine deity that appears as a giant fish- man,is also known as the Babylonian Oannes. Oannes (Dagon) was the head of group fish-men Priests who did rituals in his name for sea-side villages. The Ghoul is another tell tale sign that HPL was digging deep from Arab Lore.Found in Dream Quest of Unknown Kadath by Lovecraft,it is shown as a once human creature with a canine appearance. Ghouls feed on the human dead or even occasionally live humans.The ghouls of lovecraft’s tales are based on the ghuls of Arab magick. In Arab lore ghuls are again semi-human creatures with dog-like faces.The Arab ghul lived in lonely and deserted places feeding on the dead.It is said a powerful magician can transform into a ghul. The ghuls are associated with a homophagic diet (eating humans), necrophilia, and magickal transformation.There is no question in my mind that this is the source of Lovecraft’s Ghouls.

hplovecraft

Now I bring to your attention a few of HPL’s Letters about the Necronomicon,this may give you a better understanding of how desperately he wanted his fellow writers to think that it was all made up.Why would he do such a thing,well read on and I believe it will be made clear to you.

To Edwin Baird (February 3, 1924):

At one time I formed a juvenile collection of Oriental pottery and objects d’art, announcing myself as a devout Mohammedan and assuming the pseudonym of “Abdul Alhazred”—which you will recognise as the author of that mythical Necronomicon which I drag into various of my tales.

To William Frederick Anger (August 14, 1934):

Regarding the dreaded Necronomicon of the mad Arab Abdul Alhazred—I must confess that both the evil volume & the accursed author are fictitious creatures of my own—as are the malign entities of Azathoth, Yog-Sothoth, Nyarlathotep, Shub-Niggurath, &c. Tsathoggua & the Book of Eibon are inventions of Clark Ashton Smith, while Friedrich von Junzt & his monstrous Unaussprechlichen Kulten originated in the fertile brain of Robert E. Howard. For the fun of building up a convincing cycle of synthetic folklore, all of our gang frequently allude to the pet daemons of the others—thus Smith uses my Yog-Sothoth, while I use his Tsathoggua. Also, I sometimes insert a devil or two of my own in the tales I revise or ghost-write for professional clients. Thus our black pantheon acquires an extensive publicity & pseudo-authoritativeness it would not otherwise get. We never, however, try to put it across as an actual hoax; but always carefully explain to enquirers that it is 100% fiction. In order to avoid ambiguity in my references to the Necronomicon I have drawn up a brief synopsis of its ‘history’… All this gives it a sort of air of verisimilitude.

To Robert E. Howard (May 7, 1932):

As for writing the Necronomicon—I wish I had the energy and ingenuity to do it! I fear it would be quite a job in view of the very diverse passages and intimations which I have in the course of time attributed to it! I might, though, issue an abridged Necronomicon—containing such parts as are considered at least reasonably safe for the perusal of mankind! When von Juntz’s Black Book and the poems of Justin Geoffrey are on the market, I shall certainly have to think about the immortalisation of old Abdul!

To Robert E. Howard (August 14, 1930):

Regarding the solemnly cited myth-cycle of Cthulhu, Yog-Sothoth, R’lyeh, Nyarlathotep, Nug, Yeb, Shub-Niggurath, etc., etc.—let me confess that this is all a synthetic concotion of my own, like the populous and varied pantheon of Lord Dunsany’s Pegana. The reason for its echoes in Dr. de Castro’s work is that the latter gentleman is a revision-client of mine—into whose tales I have stuck these glancing references for sheer fun. If any other clients of mine get work placed in W.T., you will perhaps find a still-wider spread of the cult of Azathoth, Cthulhu, and the Great Old Ones! The Necronomicon of the mad Arab Abdul Alhazred is likewise something which must yet be written in order to possess objective reality. Abdul is a favourite dream-character of mine—indeed that is what I used to call myself when I was five years old and a transported devotee of Andrew Lang’s version of the Arabian Nights. A few years ago I prepared a mock-erudite synopsis of Abdul’s life, and of the posthumous vicissitudes and translations of his hideous and unmentionable work Al Azif…—a synopsis which I shall follow in future references to the dark and accursed thing. Long has alluded to the Necronomicon in some things of his—in fact, I think it is rather good fun to have this artificial mythology given an air of verisimilitude by wide citation. I ought, though, to write Mr. O’Neail and disabuse him of the idea that there is a large blind spot in his mythological erudition!

As you can see,he suffered from a case of “Me Thinks He Doth Protest  Too Much”,and it has often been proposed in some Occult Circles that HPL Dreamed of the Book and that it is sitting in the Astral Plane just waiting to be read by the next Dreamer/Magician/Madman or Fiction writer.For now,I will leave the truth of this up to you my gentle reader.In my next post about the subject,I will try and examine THE NECRONOMICON, HPL and the effect they have both had on modern Horror culture and Film (Evil Dead anyone :) )

Until next time,“Be careful, you ––! There are powers against your powers – I didn’t go to China for nothing, and there are things in Alhazred’s Azif which weren’t known in Atlantis!” (“The Last Test,” HPL)

Sources:The New Annotated H.P. Lovecraft, edited with a Foreword and Notes by Leslie S. Klinger (Liveright).Lovecraft and a World in Transition: Collected Essays on H.P. Lovecraft by S.T. Joshi.The Necronomicon Information post by: Ryan Parker

Copyright 2015 Vincent Piazza


Filed under: Lovecraft, The Necronomicon Tagged: Lovecraft, The Necronomicon

from WordPress http://ift.tt/1JnWYsO
via IFTTT

Facebook occult Drama

Vincent Piazza:

We have all dealt with this troll once or twice on Facebook,pseudo intellectual is the norm….

Originally posted on Occult news:

Facebook Occult Drama
by
Reverend.Dr.Robert Fraize

facebook-work-education-status-vampyre-ancient-since-2008

Many of you who read this blog are also on Facebook and are members of many Occult/satanist “groups”
I have had arguments with people many times but it takes a special kind of pseudo Satanist to make ask my self what the fuck is wrong with them?
these pseudo Satanists hate it when you prove them wrong in a debate by using facts and definitions. they hate it because you make them look like fools and they can no longer use their misinformation on you to control your mind.

We all have our own view of Satan/Satanism and we each should be walking our own path not a path paved by someone else and this is something that seems to bother people when I bring this philosophy up in many of these groups.

Today I was having a civilized conversation with someone regarding the…

View original 204 more words


Filed under: Uncategorized

from WordPress http://ift.tt/1RDzSbp
via IFTTT

Wednesday, July 15, 2015

A Daoist Time Manipulation Ritual

riverTaoist Sorcerers have always been deeply concerned with time.The late Han through the Six Dynasties time period was one of political chaos and social turmoil. Constant warfare, rampant epidemics, and natural disasters were perceived as symptomatic of a continuing cosmological crisis: the various cosmic cycles and the natural harmonies were disordered, leading to the disasters and depredations which inflicted suffering on the population.(much like today) Scriptures from this period abound with descriptions of the sorry state of humanity and are filled with eschatological foreboding of the end of civilization.
The solution advocated by Daoists was twofold. On the one hand, Daoists were urged to adhere to a moral and ethical path, which called for following the precepts of the Dao as presented in a number of texts. On the other hand, they championed ritual that would enable humanity to reestablish the original harmony within time. If one were to follow this twofold program, one would be able to change the course of events in his or her favor.In this post I will examine the ritual to summon the Eight Archivists (bashi ), spirits of the Eight Trigrams, which exemplifies working with time in Daoist ritual. This ritual is, first and foremost, a ritual for the mastery of time.  I will focus on the ritual for summoning Eight Archivists as it appears in the The Upper Scripture of the Five Ascendant Talismans of the Highest, Limitless Great Way and the Self-Generating Perfect One (hereafter shortened to Five Ascendant Talismans), one of the original Lingbao.Note, that as of yet I’ve not performed this ritual,for it is quite difficult to do correctly,but may write a version of it that is able to be performed with out the insane requirements of this one,but not until I try and work this ritual as closely  to true form as I can.
In the rite of summoning the Eight Archivists the herb employed, zhang ju , more commonly known as zhanglu, or shanglu , is used for its psychoactive qualities.Modern researchers identify it as Phytolacca acinosa,“Masters of the Dao always plant this medicinal herb in the garden of a Silent Chamber. It leads one to communicate with the spirits.”These effects occur not only when the herb is ingested but also when the roots are carved, as during the preparatory stage of the ritual for summoning the Eight Archivists. At this stage, zhangju roots are carved into human shape, while the adept contemplates the forms of the spirits of the twelve chronograms . This causes the spirits to appear, indicating that the active ingredients may be absorbed cutaneously. Intriguingly, this use of the herb was still known in the early-Qing:
“Those of the left Dao carve the zhanglu root into human shape, and utter incantations to it. It enables one to know calamity and fortune. It is called Spirit of zhanglu. Medical books say to take the leaves of shanglu and dry them in the shade for 100 days. As you pound it, not yet eating it, lie down and think of things which you wish and they will immediately appear by themselves before your eyes. Two aspects are supernatural in these perfect plants, their moving the Yin pneuma and their possibility of imparting much knowledge. Small men will be transformed in a flash. Ghosts and goblins by the hundreds will be expelled.”
As you can see,this has a number of analogs in Western Occultism and ritual,not to mention that south American use of psychoactive Plants,but that’s for another time and post.So here we go….
f37b5-i2bching
THE RITUAL FOR SUMMONING THE EIGHT ARCHIVISTS
The ritual begins by marking out the ritual space, which at this stage extends beyond the home:
You must mark, around your home, the eight directions and the twelve chronograms. At each chronogram direction and to the left and right of the gate plant the zhi herbs of spiritual communication, fourteen shoots in total. Take the memorial-like diagrams of the Eight Trigrams to make the Mysterious Cavern Talismans of Numinous Communication at the eight directions. Place the five talismans of ascendance in the center of the room, on the central roof beam.
The ritual space is therefore marked on the outside by the twelve markers of time. Note that at this point these markers of time are outside the home. Inside this circle are placed the eight talismans signifying the trigrams, the Xuandong tong ling fu.The five Lingbao talismans are hung on the central roof beam.
In the next stage the ritual space is moved inside the home: Purify the hall, making it a pure chamber, mark the eight directions and twelve chronograms. Take the zhangju roots, fourteen in all. First, place those of the gate in front of the hall outside the doorpost, so as to forbid the hundred evil spirits from being able to enter and oppose [the ritual]. Then, take the twelve [plants at the] chronogram points, beginning with yin , to the front of the hall. Each is carved into a human [shape]. [Plants on] Yang  [chronograms] are to be made into males, [those on] Yin are made into females. Place each inside the hall at their respective chronogram point. At each point dig into the ground, making holes [deep enough] so that their heads are level with the ground.
This completes the emplacement of the ritual space. The instructions now turn to the time element of the ritual:
On the fifth yin  day of the vernal equinox, pick orchids and, in the center [of the ritual arena] make an infusion [with the flowers]. Wash [yourself with this]. On the fifth mao  day take the brewed chrysanthemum and boil it to a broth, at the place of yin and mao. On the next day pick the zhangju stalks. Just as you are about to pick them, purify the [ground at their] side. Of small mats make fourteen seats for them. Light incense, and worship each with wine and dried meat. Bow repeatedly and say the incantation: “Zhangju beings, of pure and uncorrupt bodies, protectors of the twelve pneumas of the palaces,40 communicators with spirit numina, now I shall unite my spirit officers with you,41 be your companion and travel with you to some famous mountain’s south face. If called you must respond, if asked you must reply. Neither of us is to deceive the other in this [contract]. We join tallies as a covenant.”(Notice the conjuration technique,sounds like something straight out of a 18th century grimoire ,Hmmm?)
After presenting wine, the adept is to carve the roots into human shape, naming them and distinguishing male from female. Now that the twelve images are ready, the ritual enters its climactic stage. This is the first mention of the East Well (Dongjing ) constellation, which marks the beginning of the ritual cycle:
At dawn the next day when the heaven points to East Well, and the sun is before the door, kneel and say to yourself: “Your descendant, so-and-so, has taken this day to bathe.” Then, enter the room and set out the zhangju. At the advent of each of the “days of the five ascendances” take a brush to draw the talisman of the day. Make the five talismans in accord with the method. In ten days you will be finished. Then light incense and sacrifice to each zhangju at its chronogram position. First, using their names call out this incantation: “Lord so-and-so of Numinous Communication. Now, together with you I guard the twelve chronograms.” After sixty days they will respond to you. When the twelve days of sacrifices are over, at the following dawn light incense, and retain in mind the eight Archivists, recalling their surnames and personal names. At the same time take “dried white flowers” powder and ingest a spoonful of it in the hall so as to make your body spirits and the archivists unite in companionship.
This completes the procedure for the first stage in the ritual cycle. From this point we seem to be entering into the realm of ritual time played out on the divining chart:
At the following occurrences of the East Well day, unfasten the talismans and always take them when you wash. When finished, return and refasten them. The next day, again, take them out according to this model. When all five washings have been completed, a period of 124 days will have elapsed. All the spirits will have arrived. You will have heard their voices or seen their shapes as on the charts. At dawn the next day worship them below the doorpost. The spirits will then speak with you. You must ask the Eight Archivists about seeking the methods of spiritual transcendence and long life. The archivists will enter the heavenly lodgings for you to examine the registers and tell you. If initially you lack a life record on the transcendent registers, and are far removed from transcendence, it is fitting that you cultivate and revere the Archivists, in order to garner wealth and extend your life by three to four hundred years.
As you can see,the final preparatory stage of the ritual is reached when the zhangju plants are harvested and carved into human shape. This part of the ritual proceeds according to a precise timetable. On the fifth yin day after the vernal equinox the practitioner is to prepare an orchid infusion and wash. On the next day, the fifth mao day, he is to boil this infusion and place it between the markers of yin and mao. On the next day the plants are picked. On the following day, defined as the day of East Well, the actual rite of carving occurs and subsequent communication starts.
The day of East Well is a crucial date for the ritual. East Well, a constellation of eight stars in the southern Palace of the Vermilion Bird, is the twenty-second Lunar Lodge.49 In calendrical terms it correlates to the second month of summer, in which falls the summer solstice. The timing of the ritual follows the passage of the sun among the twenty-eight lunar lodges. Depending on the actual day of the sexagesimal cycle on which the spring equinox falls, the fifth yin day after the vernal equinox would fall 51 to 60 days later, almost a month before the summer solstice. Within two days, we are told, the sun rises in East Well. This makes good astronomical sense. Although usually associated with the summer solstice, the East Well constellation actually covers a wide swath of the heavens. The sun enters it a month before the solstice in the median period of the fourth month.50 In temporal terms, the constellation covers three fortnightly periods.The ritual of Summoning the Eight Archivists, which incorporated the symbolism of the East Well, demonstrates the synthesizing process by which the Lingbao scriptural and ritual tradition was formed,this shows the Daoists’ rejection of popular practices as theological,and taking a more Left Hand Magical outlook. First, the unity and formlessness of the Dao transcended all popular deities,and it was often thought passe to worship anything at all. Secondly, moral and ethical precepts were intended to transcend the taboos related to demons and ghosts terrorizing the populace. Thirdly, the petitioning ritual that the  Daoists used for spirits was to replace popular sacrifices to Gods or Deities.
I will try and cover more on the East Well and The Eight Archivists as I do more study and work with the rite as I understand it (now to find some zhangju roots,anyone is San Francisco want to take a trip to Chinatown for me?),but for now I think that is a good taste of it for the evening.Till next time,Stay gold.
Sources: Nathan Sivin, “Chinese Alchemy and the Manipulation of Time”, Fabrizio Pregadio, “The Representation of Time in the Zhouyi Cantongqi, Nickerson,“Shamans, Demons,Diviners and Taoists”,Marc Kalinowski, “The Use of the Twenty-Eight Xiu as a Day-Count in Early China,David Pankenier,“The Cosmo-political Background of Heaven’s Mandate”.Gil Raz,Time Manipulation.
Copyright 2015 Vincent Piazza

Tuesday, July 14, 2015

THE Penumbra said to the Umbra

THE Penumbra said to the Umbra, “At one moment you
move: at another you are at rest. At one moment you sit
down: at another you get up. Why this instability of
purpose?"
“I depend," replied the Umbra, “upon something which
causes me to do as I do; and that something depends in
turn upon something else which causes it to do as it does.
My dependence is like that of a snake's scales or of a
cicada's wings. How can I tell why I do one thing, or why
I do not do another?"
11013285_1606054859664092_6847872327598731064_n
Chuang Tzu one day saw an empty skull, bleached, but still preserving its shape. Striking it with his riding-whip, he said: “Wert thou once some ambitious citizen whose inordinate yearnings brought him to this pass?--
some statesman who plunged his country into ruin and perished in the fray?--some wretch who left behind him a legacy of shame?--some beggar who died in the pangs of hunger and cold? Or didst thou reach this state by the natural course of old age?"When he had finished speaking, he took the skull and, placing it under his head as a pillow, went to sleep. In the
night he dreamt that the skull appeared to him and said: "You speak well, sir; but all you say has reference to the life of mortals, and to mortal troubles. In death there are none of these. Would you like to hear about death?"
tumblr_medcx3Hlvx1rslv7z
Chuang Tzu having replied in the affirmative, the skull began: “In death there is no sovereign above, and no subject below. The workings of the four seasons are unknown. Our existences are bounded only by eternity.
The happiness of a king among men cannot exceed that which we enjoy."
Chuang Tzu, however, was not convinced, and said: “Were I to prevail upon God to allow your body to be born again, and your bones and flesh to be renewed, so that you could return to your parents, to your wife, and
to the friends of your youth,--would you be willing?"At this the skull opened its eyes wide and knitted its brows and said: “How should I cast aside happiness greater than that of a king, and mingle once again in the
toils and troubles of mortality?"

Monday, July 13, 2015

Shakespeare’s Demonology

hellThe belief in demonology as it existed during the Elizabethan period, and the time of Shakespeare,was a subject that, from its very nature, could not be settled ex cathedra, and consequently the subject had to grow up as best it might, each writer adopting the arrangement that appeared to him most suitable. It was an era of change. The nation was emerging from the dim twilight of mediaevalism into the full day of political and religious freedom.Arthur Hacket, with casting out of devils, and other madnesses, vehemently declaring himself the Messiah and King of Europe in the year of grace 1591, and getting himself believed by some, so long as he remained unhanged. It is solemnly recorded in the Commons’ Journals that during the discussion of the statute against witchcraft passed in the reign of James I., a young jackdaw flew into the House; which accident was generally regarded as malum omen to the Bill. Extraordinary bravery on the part of an adversary was sometimes accounted for by asserting that he was the devil in the form of a man.This is no mere dramatist’s fancy, but a fixed belief of the times. Sir William Russell fought so desperately at Zutphen, that he got mistaken for the Evil One.But the semi−sceptical state of thought was in   Shakespeare’s time making its way only amongst the more educated portion of the nation. The masses still clung to the old and venerated, if not venerable, belief that devils could at any moment assume what form soever they might please—not troubling themselves further to inquire into the method of the operation. They could appear in the likeness of an ordinary human being, creating thereby the most embarrassing complications in questions of identity; and if this belief is borne in mind, the charge of being a devil, so freely made, in the times of which we write, and before alluded to, against persons who performed extraordinary feats of valour, or behaved in a manner discreditable and deserving of general reprobation, loses much of its barbarous grotesqueness.There was one rough but popular classification into greater and lesser devils. The former branch was subdivided into classes of various grades of power, the members of which passed under the titles of kings, dukes, marquises, lords, captains, and other dignities.(see the Lesser Key,Dionysius the Areopagite,Johannes Wierus and The Sacred Magic of Abramelin the Mage for a greater understanding of these titles) Each of these was supposed to have a certain number of legions of the latter class under his command. These were the evil spirits who appeared most frequently on the earth as the emissaries of the greater fiends, to carry out their evil designs.The more important class kept for the most part in a mystical seclusion, and only appeared upon earth in cases of the greatest emergency, or when compelled to do so by conjuration. To the class of lesser devils belonged the bad angel which, together with a good one, was supposed to be assigned to every person at birth, to follow him through life—the one to tempt, the other to guard from temptation so, that a struggle similar to that recorded between Michael and Satan for the body of Moses was raging for the soul of every existing human being. This was not a mere theory, but a vital belief,as the use made of these opposing spirits in Marlowe’s “Dr. Faustus,” and in “The Virgin Martyr,” by Massinger and Dekker,show quite well.
The+Devil+and+Dr.+Faustus+meet.+
Another classification, which seems to retain a reminiscence of the origin of devils from pagan deities(and is well known to any Magician or wytch worth their salt these days), is effected by reference to the localities supposed to be inhabited by the different classes of evil spirits.
According to this arrangement we get six classes:—
(1.) Devils of the fire, who wander in the region near the moon.
(2.) Devils of the air, who hover round the earth.
(3.) Devils of the earth; to whom the fairies are allied.
(4.) Devils of the water.
(5.) Submundane devils.
(6.) Lucifugi.
These devils’ power and desire to injure mankind appear to have increased with the proximity of their location to the earth’s centre; but this classification had nothing like the hold upon the popular mind that the former grouping had,as the King and Queen was all the rage at the time (and still is with the Little Prince hitting the UK Tabloids with such regularity).
Of the twenty devils mentioned by Shakespeare, four only belong to the class of greater devils. Hecate, the principal patroness of witchcraft, is referred to frequently, and appears once upon the scene. The two others
are Amaimon and Barbazon, both of whom are mentioned twice. Amaimon was a very important personage, being no other than one of the four kings. Ziminar was King of the North, and is referred to in “Henry VI. Part Gorson of the South; Goap of the West; and Amaimon of the East.(this is not a hard and fast correspondence with Magicians then or today,so please bare with me, my dear Magical correctness police,I promise all of my papers are in order :) ). He is mentioned in “Henry IV. Part I.,and “Merry Wives. Barbazon also occurs in the same passage in the latter play, and again in “Henry V.A fact that does to a slight extent help to bear out the otherwise ascertained chronological sequence of these plays. The remainder of the devils belong to the second class.Nine of these occur in “King Lear”.One Dr.Harsnet gave such a highly spiced and entertaining account in his “Declaration of Egregious Popish Impostures,” first published in the year 1603. It is from this work that Shakespeare took the names of the devils mentioned by Edgar, and other references made by him in “King Lear;” this gives us a true look at the subject of possession by Devils at that time,and even today much of this holds water in occult circles .A comparison of the passages in “King Lear” spoken by Edgar when feigning madness, with those in Harsnet’s book which seem to have suggested them, will furnish as vivid a picture as it is possible to give of the state of contemporary belief upon the subject of possession,something I will try and do at a later date.
Shakespeare, in “The Comedy of Errors,” and indirectly also in “Twelfth Night,” has given us intentionally ridiculous illustrations of scenes which bring vividly before us the absurdity of the methods of diagnosis and treatment usually adopted for Demonic Possession:
:—
Courtesan: How say you now? is not your husband mad?
Adriana: His incivility confirms no less.
Good doctor Pinch, you are a conjurer;
Establish him in his true sense again,
And I will please you what you will demand.
Luciana: Alas! how fiery and how sharp he looks!
Courtesan: Mark how he trembles in his extasy!
Pinch: Give me your hand, and let me feel your pulse.
Ant. E. There is my hand, and let it feel your ear.
Pinch: I charge thee, Satan, housed within this man,
To yield possession to my holy prayers,
And to thy state of darkness his thee straight;
I conjure thee by all the saints in heaven.
Ant. E: Peace, doting wizard, peace; I am not mad.
Pinch: O that thou wert not, poor distressed soul!
After some further business, Pinch pronounces his opinion:
“Mistress, both man and master are possessed;
I know it by their pale and deadly looks:
They must be bound, and laid in some dark room.”
But “good doctor Pinch” seems to have been mild even to feebleness in his conjuration; many of his brethren in art had much more effective formulae. It seems that devils were peculiarly sensitive to any opprobrious epithets that chanced to be bestowed upon them. The skilful exorcist took advantage of this weakness, and, if he could only manage to keep up a flow of uncomplimentary remarks sufficiently long and offensive, the
unfortunate spirit became embarrassed, restless, agitated, and finally took to flight.
So much more could be said about Shakespeare and the Occult that it would take a whole book to write it all,and much greater writers than I have already written books on the subject,so I will stop while I’m ahead.I leave you, faithful reader,with these lines….
“That not a worm is cloven in vain;
That not a moth with vain desire
Is shrivel’d in a fruitless fire,
Or but subserves another’s gain,”
(I haven’t even touched “Macbeth,”That’s for a much longer piece.)
Sources: “The Witches in Macbeth,” “The Demonology of Shakspere,” the New Shakespeare Society in the years 1877 and 1878.”The Globe Edition of the complete works of Shakespeare” August 3, 1998 (Author), Howard Staunton,ELIZABETHAN DEMONOLOGY by:THOMAS ALFRED SPALDING, LL.B. 1880.
Copyright 2015 Vincent Piazza


Saturday, July 11, 2015

Interesting shop find,Vodou Spirit Bottle from Haiti......


Interesting shop find ,Vodou Spirit Bottle from Haiti, the African tradition of warding off evil was adapted to trapping the spiritual essence of everything from an animal to a love object inside the bottle. Once trapped inside, it was believed, the spirit was at the command of the keeper – in many instances a Bokor Vodou practitioner intent on doing harm, but just as often a spirit bottle might be kept by an amorous suitor eager to make a certain loved one cleave only to him or her.
This bottle is of unknown Providence and is filled with Hair,a photo and a Vévé spell on parchment.It feels very Petro to me(Petro lwa are associated with the color red) and does not have the milder Rada lwa energy to it at all.I have a working relationship with Carrefour and so plan on asking him on Sunday.Maitre Carrefour (Met Kalfou or Kafou in Creole) and Cimetiere (Semetye in Creole), Master Crossroads and Cemetery, form along with Simbi Makaya the Petro triumvirate of magicians.Often you must go from Crossroads to Cemetery, and Crossroads asking Cemetery for permission to pass.And just so no one is confused,Legba Petro is not Met Carrefour. Legba Petro is the "path" or
aspect of Legba who opens the way for the Petro lwa....But that is for another post,at another time.